Wednesday, 15 December 2010

Les Paul






Another legendary engineer, Les Paul helped create multi-track recording and the electric guitar. His influence reached so far that Gibson dedicated an entire guitar range to him - which could arguably be one of the most recognisable instruments in music today.

Les Paul Bio
http://gibson-lespaul-guitars.com/articles/les-paul-biography

Les Paul: The Original Circuit Bender written by Chris Edwards
http://kn.theiet.org/magazine/issues/0915/original-circuit-bender-0915.cfm

Eric Clapton playing a Gibson Les Paul Standard.

Slash playing a Gibson Les Paul Custom

Tom Dowd


Tom Dowd was a very influential recording engineer. He pioneered many of the technological advances that have become standard hardware components - such as the motorised vertical fader.

Tom Dowd bio
http://www.soulwalking.co.uk/tom%20dowd.html

Tom Dowd dedication
http://mixonline.com/mag/audio_tom_dowd/

Dan Aykroyd Playboy Interview

http://www.flixster.com/actor/dan-aykroyd/dan-aykroyd-interview

Blues Brothers - Rawhide

A clip that brought rhythm and blues back in vogue in the 80s and 90s (apologies about the quality).


Interesting links

Here's some info on some key players in the history of soul music.


Stax Records
http://www.soulsvilleusa.com/about-stax/

Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom written by Peter Guralnick
http://shop.staxmuseum.com/browse.cfm/sweet-soul-music-by-peter-guralnick/4,52.html
Feel Like Going Home: Portraits in Blues and Rock 'n' Roll written by Peter Guralnick
http://www.amazon.com/Feel-Like-Going-Home-Portraits/dp/0316332720
About the author
http://en.wikipedia.org/wiki/Peter_Guralnick

An article on the influential Muscle Shoals Studio
http://www.npr.org/templates/story/story.php?storyId=1437161

A museum dedicated to the history of Motown
http://www.motownmuseum.com/mtmpages/index.html

B.B. King's own line of Gibson signature guitars
http://www2.gibson.com/Products/Electric-Guitars/ES/Gibson-Custom/BB-King-Lucille.aspx

An article discussing the Robert Johnson Devil story
http://www.mudcat.org/rj-dave.cfm

Inspiration

Just thought I'd make a last minute post about my inspiration for my composition.
Enjoy!

Bobby Bland - Ain't No Love In the Heart of the City
http://www.youtube.com/watch?v=jVwJGyUbkow&feature=fvsr

Al Green - Let's Stay Together
http://www.youtube.com/watch?v=COiIC3A0ROM

Detroit Spinners - It's A Shame
http://www.youtube.com/watch?v=l5VaRSEvq8U

Albert King - Born Under A Bad Sign (live)
http://www.youtube.com/watch?v=BKY8KIt9kqc


The first track is sung by a blues singer called Bobby Bland. Relatively unknown in the UK, all he is known for is his pair of concerts with blues guitarist B.B. King.
The second track is much more popular, due in no small part to it featuring in Pulp Fiction. It is ranked the 60th greatest song of all time by Rolling Stone magazine on their list of the 500 Greatest Songs of All Time.
The third track is an archetypal motown single, which served to make the genre much more popular.
The last track is a blues standard sung by blues guitarist Albert King. It has become one of the seminal versions.

Here I have listed every genre that influenced my composition choices. I hoped to represent each of these genres - Soul, Rhythm and Blues, Motown and Blues - in my track. Had I had more time in the studio I would have wanted to replace the MIDI instruments with their live counterparts.

Reflection

I have really enjoyed this module. Creating music is a big passion of mine, and I was glad we were assigned it as it took my mind off my other two modules, which I felt had no relevance to Music Technology (SM 2021 SME Marketing and IM 2030 Video & Sound Techniques).

I decided to create a modern day soul instrumental song (similar to the style of Little Beaver), as I am a big fan of the genre (both modern day and soul from the 1960s and 1970s).

I started using Cubase to create the MIDI backing of my composition, as I am well versed in using the MIDI features of that program. Despite my lack of keyboard playing skills, I managed to play all the parts I needed.

I then imported the MIDI file into Logic Pro, with which I recorded the live parts of my composition.

However, I did run into trouble with this module. Every time I booked a Logic studio something went wrong; in my first session I was unable to record anything through the hardware, even when I asked for assistance from a technician (who was equally as perplexed by the problem). The second session was the most successful, despite the fact that I had to wait over an hour for my studio to be free as a class had overrun and would not let me in.

In the third and final session, in which I wanted to work on both this module and IM 2030 Video & Sound Techniques, I was unable to gain access to the facility because it had been double booked by the equipment stores staff - I had been given a booking receipt by the equipment stores staff with the wrong name and I.D. number, which made gaining access to the pre-booked studio an impossibility. Luckily all I needed to do was bounce my composition down to a sound file, which I was able to do in the Macintosh labs. Unfortunately however, this meant I was not able to get a true grasp of the levels of my various instruments because I had to make my final mix on iPod headphones on an iMac and not through studio monitors on a Mac Pro (which I would have very much preferred).

It was when we were inducted into the studios in the MPC that we found out that one of the technicians is an Apple certified Logic Pro instructor. It was the opinion of every member of my course that he should have taught us this module, as it seemed to us that he knew more about the software than our existing tutors.

If I had been given more time to complete this module then I would have tried to replace the software instruments with their live counterparts, and I would have recorded a vocal line (provided I had written lyrics in time). Perhaps I could have presented it to my class by playing it live with other musicians - this would have taken a lot of time to set up however. I am presenting my composition at 4.30pm today - I will make another post with how it goes.